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Adv. Certification in Sound Engineering

10 STUDENTS ENROLLED
  • Profile photo of Sunny Arora
  • Profile photo of Antriksh Kewa
  • Profile photo of Prateek Kaushik
  • Profile photo of Manish
  • Profile photo of Rajneesh Shrivastava

INTRODUCTION

At TGC, Sound PRO is a program for all the music enthusiast having keen interest in Audio Engineering and Recording. Made with a 100% practical approach Sound pro is about practice on Recording, Sychronization, Mixing, Reproducing voice, Music and Sound Effects. Sound PRO deals with Audio for a wide range of applications i.e. music production, Film and A/V post production, live sound reinforcement, advertising and multimedia broadcast.

At TGC, a course in Sound PRO will help you prepare a career as Musician, Music Production Artist and Sound Engineer. Faculty at TGC is young & talented Music producers with relevant hands on experience.

Programme Outline: Sound Engineering Institute

Normal Track
Course Duration: 4 months
Schedule: 2 Hour/3 days a week

Fast Track
Course Duration: 3 months
Schedule: 2 Hours/ 4 days a week

(Weekend options also available)

Introduction to AD / DA  Converters / History of Recording – TAPE / VINYL

  • Analog Gear – PREs /EQs/ Compressors/ EFFECTS Unit.
  • Mixing Console.
  • Types of Microphones & Signal Path.

Audio & Sonics

  • Audio Bandwidth.
  • What is Bit and Sample rate.
  • Various Audio Formats
  • Identifying various elements/ instruments in a song.
  • Frequency range of various instruments.

EQ & Dynamics I (Cubase)

  • Eq and Compression (Dynamics Processing) Vol 1.
  • Types of Compressors & Limiters (Classic & Modern).
  • Limiting.
  • Passive EQ.
  • Saturation.

Eq & Dynamics II (Cubase)

  • Eq and Compression (Dynamics Processing)
  • Parallel Compression.
  • Sidechain Compression.
  • Applying compression on various types of sounds/instruments/drums.
  • Mix Bus Compression.
  • Mastering EQ (Clinical).
  • De-essing & Multiband Compression.

RECORDING (Cubase)

  • Eq and Compression (Dynamics Processing) Vol 2.
  • Parallel Compression.
  • Sidechain Compression.
  • How to apply compression on various types of sounds / instruments / drums.
  • Mix Bus Compression.
  • Mastering EQ (Clinical).
  • De-essing & Multiband Compression.

Vocal/Instrument Tuning & Harmonization

  • Eq and Compression (Dynamics Processing)
  • Parallel Compression.
  • Sidechain Compression.

MIXING (Cubase)

  • Litening to reference tracks (various styles)
  • Organizing the session and labelling + colouring.
  • Grouping Tracks and creating Buses.
  • Basic Balancing starting with drums finishing on vocals.
  • Using OZONE to tame a rough Mix.
  • Widening Tracks.
  • Drum Replacement and Audio Quantization.
  • Beat Detective/  Audio Transposing.

MIXING II (Cubase)

  • Using EQ to cut unwanted freq.
  • Compressing Vocals
  • Eq and De-essing Vocals.
  • Eq ing Drums.
  • Drum Compression.
  • Eq Drums.
  • Masking of sounds.
  • Exciter/ Declicker etc.
  • Gating Drums.

MIXING III (Cubase)

  • Compression on guitars
  • Compression on synths and eq.
  • Using Effects – Reverb / Delay / Chorus / Modulation to colour sounds.
  • Using Effects – to colour Vocals and make them sit… extreme vs. subtle applications.
  • Using Emulation Plugins of Classic Gear: Tape/Tubes etc.
  • Guitar FX Processing.
  • Fade Application.

Mastering (Cubase)

  • Using Ozone:
  • Pre Eq
  • Compression (Single/ Mixbus / Multiband)
  • Spatialization of Entire MIX
  • Post EQ.
  • Saturation (TUBE / TAPE / EXCITER)
  • Limiting and Level Maximization
  • Interpreting Meters / Phase & Level.
  • Normalization.
  • Dithering and Noise Shaping.

Acoustics & Project Development and Review

  • Using Ozone:
  • Pre Eq
  • Compression (Single/ Mixbus / Multiband)
  • Spatialization of Entire MIX
  • Post EQ.
  • Saturation (TUBE / TAPE / EXCITER)
  • Limiting and Level Maximization
  • Interpreting Meters / Phase & Level.
  • Normalization.
  • Dithering and Noise Shaping.

Project Submission

Upcoming Batches:

Starts Duration
(Normal Track)
Duration
(Fast Track)
Days  
3rd Oct
4 months 3 months Mon-Fri
1st Oct
32 sessions NA Sat & Sun
10th Oct
4 months 3 months Mon-Fri
8th Oct
32 sessions NA Sat & Sun

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    Course Key Features

    • Course Duration

      Normal Track: 4 Months ( 2 Hours/ 3 Days)

      Fast Track: 3 Months ( 2 Hours/ 4 Days)

      Weekend Batches: Available (Sat. & Sun/ Only Sundays)

    • Assignment
      Brilliantly designed assignments covering Primary, Intermediate and Advanced level evaluations in Sound Engineering & Music Production
    • Project
      Live Projects (Individual and Group) with hands on experience on real time problem solving techniques
    • Post Training Assistance
      Continual assistance in knowledge and application updates to broaden subject horizon
    • Study Material
      Meticulously designed Course material including Course booklet, Training Videos, Tips and Tricks & Resource files etc.
    • Portfolio
      An expert level Sound Engineering & Music Production album endorsed by leading sound engineers
    • Certification
      TGC Autonomous Certificate in Sound Engineering & Music Production
    Call us at: 1800 3070 2228

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